The following evening, the private drafting studio within the One Vanderbilt penthouse was illuminated by the warm, amber glow of brass desk lamps and the cool blue luminescence of three oversized architectural CAD monitors. Scattered across Clara Montgomery’s twenty-foot drafting table were hundreds of rolled vellum schematics, structural load calculation sheets, and municipal zoning blueprints for the Grand Central Terminal Vanderbilt Pavilion. Ever since their electrifying triumph at the Met…
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