The quantitative operations floor on the 65th floor of Aurelius Tower was bathed in the cool blue glow of seventy-two synchronized Bloomberg and Reuters financial terminals. It was two in the morning. Outside the soundproof glass, lower Manhattan lay shrouded in low-hanging sea mist, the lights of Brooklyn twinkling across the dark East River. Elena Vance stood in front of a curved, twenty-foot digital projection wall, an electronic stylus poised…
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