On Wednesday morning, the sun broke through the gray winter clouds, flooding the main hall of Bennett Contemporary with radiant natural light. Chloe stood before the board of trustees in the private conference room, dressed in an impeccably tailored navy suit, presenting the gallery's year-end financial reconciliation. Around the table sat Chicago's cultural elite: Arthur Vance, the chief curator of the Art Institute, the president of the MacArthur Foundation, and…
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