On the first Saturday of November, the crisp autumn sun filtered through the soaring twenty-foot glass walls of Ethan Vance’s Belltown penthouse, illuminating a dozen neatly stacked cardboard boxes stamped with green packing tape. Nora Sterling stood in the center of the mezzanine loft, wearing a cozy oversized oatmeal wool sweater, faded denim jeans, and thick woolen socks. In her hands, she held an antique brass drafting kit—the very tools…
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