The morning sun illuminated the glass ceiling of the conservatory, casting intricate geometric shadows of wrought-iron ribs across the long oak conference table. Spread across the table were Arthur Vance’s private 1948 diplomatic journals, the 1902 Saint-Germain master blueprints, and high-resolution photographic plates of the Impressionist paintings discovered in the estate's vault. Madame Sophie Dubois sat between Claire and Nathan, her reading glasses perched on the bridge of her nose,…
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