On Wednesday afternoon, the large digital projection screens in the conservatory atelier hummed to life, establishing a secure satellite connection with the restoration headquarters at Saint-Germain-des-Prés in Paris. On the screen appeared Chief Architect Jean-Luc Morel and Madame Sophie Dubois, standing on the cathedral's northern triforium gallery. Behind them, French master stonemasons were carefully setting the final dolomite-aggregate lime mortar joints into the twelfth-century flying buttresses. "Bonjour, Nathan! Bonjour, Claire!"…
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