On Thursday morning, the skies over Paris were a brilliant, cloudless azure. Claire and Nathan arrived at Saint-Germain-des-Prés wearing safety harnesses, work boots, and white hard hats bearing the official seal of the Commission of Historic Monuments. Accompanied by Chief Architect Jean-Luc Morel and master stone carver Henri Laurent, they ascended the exterior construction elevator sixty meters up the cathedral's northern flank. Stepping onto the heavy timber scaffolding, the entire…
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